FOH, MON & Studio Mixing – What’s the Difference?
BY ROBERT "VOiD" CAPRIO I’m often asked how I transition so easily from mixing at FOH, MON and the in[...]
Dave Rat’s 360 Bassnectar Lowdown
BY DAVE RAT   I met Dave Rat about 10 years ago the night before he got a Parnell award[...]
Audio Challenges At Blues Bender
The 2015 Big Blues Bender at the Plaza Hotel and Casino in Las Vegas recently wrapped up with much praise[...]
“Dude” 
(This piece is one of several we are working on talking with engineers who worked with Prince for various time[...]
Optimizing Playback Tracks For Live Performance
This is a plea to all those studio guys who are prepping tracks for an artist to go out and[...]
Martin Frey on Preparation, Musical Range and Listening to Lots of Music
One from the vault. From before he started blogging for SPL. He does still do that, right? Anyway. A few[...]
Thunder Audio, Deep Purple and an Orchestra
A legendarily loud band with an orchestra on a tour just about long enough to get things really dialed in[...]
VUE Audiotechnik Delivers Dynamic Sound at BottleRock
The 2015 BottleRock Festival in Napa Valley featured over 70 acts including Robert Plant, Snoop Dogg, Michael Franti & Spearhead,[...]
Kerrie Mondy
For someone who only began working in live sound 2 1/2 years ago, Kerrie Mondy is a very busy woman.[...]
Waves Plugins On Tour With The Band Perry
Live FOH engineer Jon Garber (The Band Perry, Rascal Flatts, Brad Paisley, Brian McComas, Julie Roberts) uses DiGiGrid MGO and[...]
This Week On Roadie TV: Snooky Tunes the PA
“Roadie Reality TV” … is this what it’s come to? Yep, you heard me right. I guess it was only[...]
Scared For 40 Years
Just got done doing a show in Moscow, Russia. You may have seen some hype for the new Transformers 3[...]

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