Polarity Versus Phase
One of the most often misused terms among audio people is “phase”.  “Sound’s like it’s out of phase...” seems to[...]
Sound Image and SSE Audio Announce Launch of United Audio Companies
Sound Image and SSE Audio seal the deal to launch UAC. L to R: Mike Sprague, Director of Touring, Sound[...]
Stage Collapses–A Player’s Perspective
This was originally posted on SPL's sister site for musicians L2PNet.com--The Live2Play Network. At the reqiest of some of the[...]
Strangeways Here We Come
I've known for some time now that I do certain things differently than most other engineers and techs I meet. [...]
Thunder Audio, Deep Purple and an Orchestra
A legendarily loud band with an orchestra on a tour just about long enough to get things really dialed in[...]
Generation ConteXt
One of my favorite jokes of all time is from the bone-dry delivery of comedian Steven Wright. It goes like[...]
Competition Versus Cooperation
The live audio field is historically a very competitive business. Those that get far and have long careers in this[...]
Waves Plugins On Tour With The Band Perry
Live FOH engineer Jon Garber (The Band Perry, Rascal Flatts, Brad Paisley, Brian McComas, Julie Roberts) uses DiGiGrid MGO and[...]
Getting the Gig Right Starts Early
The great thing about teaching is that it helps one organize their thoughts into cohesive ideas. The other day, while[...]
The Last Resort Festival
BY MONTY LEE WILKES Monty Lee was one of the first A-List guys I met. Summer 2002. I had just[...]
Mixing Live Jazz Shows
There are very few hard and fast rules to mixing any kind of music, but here are some techniques that[...]
It’s December Again
It’s that time of year when many of us find ourselves winding down for the season. Festivals are all but[...]

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