Strangeways Here We Come
I've known for some time now that I do certain things differently than most other engineers and techs I meet. [...]
Feeling the Squeeze
By Chris Musgrave I have read many articles that do their utmost best to describe mixing music. Some say we are[...]
Stage Collapses–A Player’s Perspective
This was originally posted on SPL's sister site for musicians L2PNet.com--The Live2Play Network. At the reqiest of some of the[...]
Kerrie Mondy
For someone who only began working in live sound 2 1/2 years ago, Kerrie Mondy is a very busy woman.[...]
Synergy: The Mix Engineer And The System Engineer Relationship
BY MARTIN FREY   As a live FOH mix engineer, I’ve made it my business over the years to learn[...]
It's That Time of the Year
It’s festival season. Systems Engineers all over the world are pouring over riders and input lists, programming consoles and system[...]
Competition Versus Cooperation
The live audio field is historically a very competitive business. Those that get far and have long careers in this[...]
I AM An Artist
BY KEITH NACHODSKY   It was about ten minutes until doors. I was the sound engineer for the show. Something[...]
Vinnie and Peter Go To Vegas
https://www.youtube.com/watch?feature=player_embedded&v=uKbiD_N0tA8[...]
I Don't Care if It's Black Sabbath Or the Pope
I was fortunate to work several campaign events this year.  At the most recent one there was a heavy emphasis[...]
Polarity Versus Phase
One of the most often misused terms among audio people is “phase”.  “Sound’s like it’s out of phase...” seems to[...]
The Politics of Live Sound Mixing and the Sacrificial Lamb
OH yes, the politics.  The dirty little secret of live sound mixing.  I believe that, on any given day, 50%[...]

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