Kevin Madigan On the Crosby/Nash Express
Kevin Madigan took some time out from a Crosby and Nash one-off in Las Vegas to talk with SPL about[...]
Strangeways Here We Come
I've known for some time now that I do certain things differently than most other engineers and techs I meet. [...]
Feeling the Squeeze
By Chris Musgrave I have read many articles that do their utmost best to describe mixing music. Some say we are[...]
Polarity Versus Phase
One of the most often misused terms among audio people is “phase”.  “Sound’s like it’s out of phase...” seems to[...]
Miking a Guitar Amp WIthout a Mic Stand
When you get to the point where you are playing rooms big enough where you have to actually mic your[...]
2013 and Beyond
First of all, Happy New Year everyone.  I hope that 2013 brings us all health, happiness and prosperity.  My resolution[...]
Kerrie Mondy
For someone who only began working in live sound 2 1/2 years ago, Kerrie Mondy is a very busy woman.[...]
To Road Or Not To Road
I remember my first tour show. In the Bronx. A club called French Charlie’s. The floor was covered with a[...]
Stage Collapses–A Player’s Perspective
This was originally posted on SPL's sister site for musicians L2PNet.com--The Live2Play Network. At the reqiest of some of the[...]
Synergy: The Mix Engineer And The System Engineer Relationship
BY MARTIN FREY   As a live FOH mix engineer, I’ve made it my business over the years to learn[...]
R-E-S-P-E-C-T
Aretha said it best. You either have it or you don’t and these days I see less and less of[...]
I AM An Artist
BY KEITH NACHODSKY   It was about ten minutes until doors. I was the sound engineer for the show. Something[...]

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