Strangeways Here We Come
I've known for some time now that I do certain things differently than most other engineers and techs I meet. [...]
'Tis the Season To Be Mixing
By Jamie Rio As we go through the holiday season I think it is very important to embrace all the[...]
It's December Again
It’s that time of year when many of us find ourselves winding down for the season. Festivals are all but[...]
Thunder Audio, Deep Purple and an Orchestra
A legendarily loud band with an orchestra on a tour just about long enough to get things really dialed in[...]
Miking a Guitar Amp WIthout a Mic Stand
When you get to the point where you are playing rooms big enough where you have to actually mic your[...]
Polarity Versus Phase
One of the most often misused terms among audio people is “phase”.  “Sound’s like it’s out of phase...” seems to[...]
Feeling the Squeeze
By Chris Musgrave I have read many articles that do their utmost best to describe mixing music. Some say we are[...]
I AM An Artist
BY KEITH NACHODSKY   It was about ten minutes until doors. I was the sound engineer for the show. Something[...]
Death By YouTube
Snake Newton on working with Duran Duran and "Death By YouTube."[...]
Synergy: The Mix Engineer And The System Engineer Relationship
BY MARTIN FREY   As a live FOH mix engineer, I’ve made it my business over the years to learn[...]
Competition Versus Cooperation
The live audio field is historically a very competitive business. Those that get far and have long careers in this[...]
Kevin Madigan On the Crosby/Nash Express
Kevin Madigan took some time out from a Crosby and Nash one-off in Las Vegas to talk with SPL about[...]

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